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one
04:02
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two
03:32
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three
11:29
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four
01:19
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five
02:44
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six
02:40
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seven
01:28
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eight
02:35
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nine
00:28
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ten
01:44
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eleven
02:58
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twelve
02:19
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thirteen
02:45
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fourteen
02:06
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fifteen
02:33
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sixteen
01:43
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seventeen
03:08
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eighteen
01:42
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nineteen
00:57
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20. |
twenty
05:35
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21. |
twenty one
03:27
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22. |
twenty two
02:13
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23. |
twenty three
02:02
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24. |
twenty four
02:08
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25. |
twenty five
02:12
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26. |
twenty six
01:26
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twenty seven
04:02
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28. |
twenty eight
03:57
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29. |
twenty nine
06:26
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30. |
thirty
01:44
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31. |
thirty one
00:59
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32. |
thirty two
00:33
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33. |
thirty three
00:41
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34. |
thirty four
01:18
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35. |
thirty five
03:04
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36. |
thirty six
02:01
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37. |
thirty seven
05:34
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38. |
thirty eight
04:04
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39. |
thirty nine
02:43
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40. |
forty
03:14
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41. |
forty one
03:44
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42. |
forty two
05:07
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43. |
forty three
10:32
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the James Worse Public Address Method Melbourne, Australia
i make textural sounds using voice and electronics.
the James Worse Public Address Method recommends:
James Worse: »Testuary to Lulluba«
by Surreal Spoken Word // Worsicles // Onomatopoetic Story-telling
This limited-run vocal-only Worse CD is still available from the wonderful Atemwerft label in Augsburg, Germany.
go to albumIf you like the James Worse Public Address Method, you may also like:
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Wonderfully murky and sludgy synth music that feels like being dragged through a digital swamp—in the best possible way.
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KEDA creates a spellbinding soundtrack for a contemporary dance production by Compagnie Linga that centers the Korean geomungo.
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The Tunnel and the Clearing
by Colleen
The latest album by the Barcelona-based multi-instrumentalist is filled with enchanting and beguiling experimental music.
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